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Heading West again for network TV "press tour" (but not before leaving behind a slew of reviews)

It can be both a break and a backbreaker. But who’s complaining? Your friendly content provider will be landing in Southern California on Tuesday, July 8th for the annual summer edition of the Television Critics Association “press tour,” which runs all the way through July 23rd.

Included is the 30th annual TCA awards ceremony. I was a presenter at the very first one in 1985. So here we go again.

I’ll be writing periodically but exclusively for the New York-based tvworthwatching website during my time out there. But I’ll also be tweeting frequently on breaking developments and other oddities. The Twitter address is @unclebarkycom.

In the meantime, the unclebarky.com website has posted eight reviews of upcoming new series, beginning with the Wednesday, July 9th premiere of CBS’ Extant and ending with the Thursday, July 17th launch of FX’s You’re The Worst. In order of their air dates, here are the shows and the links to our reviews:

Extant (Wed., July 9th on CBS) -- Review is here.
Welcome to Sweden (Thurs., July 10th on NBC) -- Review is here.
Working the Engels (Thurs., July 10th on NBC) -- Review is here.
Masters of Sex, Season 2 (Sunday, July 13th on Showtime) -- Review is here.
The Strain (Sunday, July 13th on FX) -- Review is here.
Matador (Tues., July 15th on El Rey Network) -- Review is here.
Married (Thurs., July 17th on FX) -- Review is here.
You’re The Worst (Thurs., July 17th on FX) -- Review is here.

Hope these are enough to tide you over. See you in a few weeks.
Ed Bark

FX's You're The Worst plays much better than its title


Two cynics find each other engaging in You’re The Worst. FX photo

Premiering: Thursday, July 17th at 9:30 p.m. (central) on FX
Starring: Chris Geere, Aya Cash, Desmin Borges, Kether Donohue
Produced by: Stephen Falk

@unclebarkycom on Twitter
There are worse titles. To name just a few: We Can’t Wait to Be Canceled. Unthinkably Bad. Honk If You Find This Show Funny.

Still, FX’s You’re The Worst invites sucker punches from those who find it to be just that. Only a few jabs are necessary, though. This “dark twist on the romantic comedy genre” is far preferable to Married, which will be its “miserably in love” running mate on Thursday nights. The two principals in You’re The Worst at least are vigorously and often amusingly cynical. And over the course of the first two episodes sent for review, it even becomes possible to empathize with them -- if only just a little.

Chris Geere plays Jimmy Shive-Overly, a Brit with a very bad disposition. He’s first seen at a wedding reception, pointedly insulting the bride and groom. “Enjoy your sham of a marriage,” he says while getting tossed.

Gretchen Cutler (Aya Cash) also is leaving the reception -- but under her own power. She thinks she’s stolen a food processor from among the wrapped wedding gifts. But Jimmy tells her it’s just a blender. So she tosses it in disgust before they wind up in bed for what he hopes and expects will be another of his one-night stands. After all, he has sleep apnea and must wear an oxygen mask.

The sex talk can be blunt in You’re The Worst. But not as blunt as Gretchen is with Jimmy after he later treats her like garbage. Even he’s a bit aghast after she dresses him down. So they later agree to meet again.

“If We both know that it can’t work, then there’s no harm. Right?” she asks.

“Right,” he agrees.

Episode 2 begins back in his bed, with Gretchen telling Jimmy, “You’re losing your hair.” This of course sets him off, but not enough to end matters. In fact, Jimmy is more offended by his roommate Edgar’s (Desmin Borges) favorable view of the character Cameron Frye in Ferris Bueller’s Day Off. Meanwhile, Gretchen’s best pal, Lindsay (Kether Donohue), is warning her, “Be careful, Gretch. Jimmy is a soul vampire.”

He’s also the author of “Congratulations, You’re Dying,” which lately has yielded a royalty check of $17.43. This leads to an attempt to place it among the “Staff Picks” at a Los Angeles book store.

Jimmy and Gretchen also have their first official date in Episode 2. It’s at a pricey, pretentious restaurant called Insouciance, where he’s enraged by their placement at a privacy-invading “communal table.”

You’re The Worst is perfectly willing to let its sparks fly while also managing to warm viewers to the overall premise of two flammable, relationship-phobic humans finding each other in fits and spurts. For now it seems to be worth making a commitment to this fairly unique series while Jimmy and Gretchen continue to parry and thrust.


Email comments or questions to: unclebarky@verizon.net

FX may need a quickie divorce from Married


Another strikeout for a loser hubby in the dim Married. FX photo

Premiering: Thursday, July 17th at 9 p.m. (central) on FX
Starring: Nat Faxon, Judy Greer, Jenny Slate, Brett Gelman, Regina Hall John Hodgman, Paul Reiser, Michaela Watkins
Produced by: Andrew Gurland, Peter Principato, Paul Young, Salamo Levin

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Fox’s very first sitcom, Married . . . With Children, took a polar opposite view of wedded bliss. But the battling Bundys could be broadly, loudly funny, and the series endured for a decade.

Now we’re down to FX’s Married, billed as a “comedy about being miserably in love.” It turns out to be about as much fun as bed-wetting. Sample exchange from Episode 3, one of four sent for review:

Wife: “I don’t hate you. I just hate my life and my life is you.”

Husband: “Is this foreplay?”

That’s pretty much the lay of this land. Russ and Lina (Nat Faxon, Judy Greer) have three daughters and little else going for them. Including sex, which Russ wants but can never seem to get.

Although seldom employed as a freelance graphic designer, hangdog hubby still somehow has money to blow on nightly drinks at The Oaks Tavern. Morose pals A.J. (Brett Gelman) and Jess (Jenny Slate) join him. A.J.’s bitterly divorced and Jess is less than happily married to an older guy who has to wear knee braces to do it “doggy style.” Paul Reiser, his career now on fumes, is the older guy in question. Luckily for him, he’s not seen on camera until Episode 4.

Back on the home front, Lina is unfulfilled but also unwilling to go back to her old job. In Episode 3, she makes a half-hearted effort at layabout Russ’s urging, but finds herself “nauseous” at working for a boss who always seems to have “day-old breath.”

Greer, who played the recurring role of Kitty Sanchez on Arrested Development and voices Cheryl/Cherlene on FX’s Archer, is better known at the moment as the perky woman in Sprint’s omnipresent “Framily” ads. She’s generally appealing, but Married is an antonym of that.

Faxon is trying to rebound from Fox’s failed Ben and Kate comedy series, where he also played a jobless, direction-less, but more buoyant character. In Married, his main activities are asking for sex, welshing off his pal, Bernie (John Hodgman), drinking and laying around. In the premiere episode, wife Lina him to “be with someone else” sexually if he’d like. Of course this doesn’t go very well. Nothing goes very well in Married.

The opening half-hour also borrows a subplot from the second episode of The Cosby Show. Namely a goldfish funeral after Russ over-feeds “Norman.” But the basic humor of the situation is completely lost on Married.

Storylines in subsequent episodes include Russ’s visit to “the cock butcher” to firm up his vasectomy surgery, a $5,000 veterinarian bill, Russ’s and A.J.’s dalliance with two escort girls and Russ’s yearnings to take a shower with his wife.

It’s possible -- just about anything’s possible -- that Married somehow will find its way at some point during whatever its future might be. But so far this is a dour, sour affair replete with uninviting characters. That’s generally not a good recipe for return visits.


Email comments or questions to: unclebarky@verizon.net

New English language El Rey network takes a soccer/spy shot with Matador


Tony Bravo (Gabriel Luna) is often on the run in Matador. El Rey photo

Premiering: Tuesday, July 15th at 8 p.m. (central) on the El Rey Network
Starring: Gabriel Luna, Alfred Molina, Nicky Whelan, Neil Hopkins, Tanc Sade, Yvette Monreal, Elizabeth Pena, Julio Oscar Mechoso, Jonny Cruz
Produced by: Roberto Orci, Dan Dworkin, Jay Beattie, Alex Kurtzman

@unclebarkycom on Twitter
Might as well keep that soccer vibe going, although few may be shouting “Gooooooal!!! over Matador, a new action spy series on the fledgling English language El Rey Network.

Its star is an undercover CIA operative who’s better known as Tony “Matador” Bravo since joining the L.A. Riot professional soccer club. Whether it’s available to you depends on your TV provider. The Austin-based El Rey, launched in December of last year by filmmaker Robert Rodriguez, currently is on the menus of Time Warner, Comcast, DirecTV and Dish.

Gabriel Luna plays Tony, who’s initially a DEA agent until recruited by a “little known branch” of the CIA headed by the beauteous Annie Mason (Nicky Whelan). This change of pace comes after a drug bust gone bad leaves one guy with a chef’s meat cleaver in his head before Tony chases down Germany’s worst wurst maker.

The bad guy gets a gross , mouth-to-face surprise after Tony catches up with him. Then, after dinner with his parents, Tony is surprised by Annie and her CIA partner, Noah Peacott (Neil Hopkins). If he’ll agree to a “one-time op,” then the CIA will pay Tony back by paroling his half-brother Ricky (Jonny Cruz) from prison. Well, all right.

Part of the deal is for Tony to try out for the Riot soccer team, owned by billionaire Andres Galan (Alfred Molina taking the money and running). First he’ll have to undergo rigorous training from an ace woman player. Then Tony ends up squaring off against a man/beast Riot player known as “The Enforcer,” who blows snot in his face. Damn, this secret agent stuff can be rough. But Tony further earns his spurs by landing The Enforcer on the injury list in a video that ends up going viral.

It’s a little hard to deduce how this all fits into Tony’s assignment. Let’s just say that things eventually boil down to a big party thrown by Riot owner Galan and attended by both Tony and Annie. The plot doesn’t have to make any sense after she shows up in a gold dress that very becomingly fits her like a glove.

Thirteen episodes of Matador have been ordered for Season 1. So Tony’s not going anywhere. Instead he’ll continue to play for the Riot while also somehow entwining himself into the secret op of the week. Squint very, very hard and you might see a scant resemblance to I Spy, the 1960s NBC series in which Robert Culp and Bill Cosby went undercover as a globe-trotting tennis player and his trainer. Nets then, nets now.

Matador is fairly jaunty and breezy in the only episode sent for review. But it also throws in some serious-minded violence as part of the mix. Those who have access to the El Rey Network might want to give it a shot. Those without shouldn’t mope about it.


Email comments or questions to: unclebarky@verizon.net

FX's The Strain hopes to be its network's first Sunday night breakthrough


Corey Stoll & Mia Maestro play CDC gumshoes in The Strain. FX photo

Premiering: Sunday, July 13th at 9 p.m. (central) on FX
Starring: Corey Stoll, Mia Maestro, David Bradley, Sean Astin, Kevin Durand, Richard Sammel, Jonathan Hyde, Miguel Gomez, Natalie Brown, Ben Hyland, Jack Kesy
Produced by: Guillermo del Toro, Carlton Cuse, Chuck Hogan, Gary Ungar, Bradley Thompson, David Weddle, Regina Corrado

@unclebarkycom on Twitter
FX has been in business for two decades now, but The Strain is its first attempt to launch a new series on Sunday nights.

That’s where cable’s Big Boys play or have played. Big boys such as The Sopranos, Sex and the City, Game of Thrones, Mad Men, Breaking Bad, The Walking Dead, Homeland, Masters of Sex, etc.

The Strain has a big-screen look and feel, courtesy of feature film supernatural/horror maestro Guellermo Del Toro. Among his credits are Hellboy and its sequel, Pacific Rim, Cronos and The Devil’s Backbone. Del Toro’s principal co-executive producer, Carlton Cuse, chips in with a backdrop that includes Lost and the ongoing Bates Motel.

The Strain is adapted from the same-named vampire horror novel written by del Toro and Chuck Hogan, who’ve also collaborated on two sequels. The FX production strives to be creepy, crawly and viscerally violent, which it most definitely is throughout the first four episodes sent for review. It also takes a stab at being cerebral, occasionally drawing blood in that realm after a rather silly narrative opening from grisly old Lance Henriksen (Millennium, Harsh Realm, Pumpkin: Blood Feud and so on).

“Hunger, a poet once said, is the most important thing we know, the first lesson we learn,” Henriksen intones with gravel-voiced gravity. “But hunger can be easily quieted down, easily satiated.”

However, there’s also “an unquenchable thirst that cannot be extinguished. It’s very existence is what defines us, what makes us human. That force is love.”

Oh please.

But The Strain then quickly gets down to business, aboard a Regis Air International flight bound from Berlin to NYC’s JFK Airport. We know it’s a fictional airline because the pilot announces they’ll actually be landing on time. The downside: Flight 753 also will be arriving with almost all of the 210 passengers looking to be mysteriously dead. You can’t have everything. But no, it wasn’t the in-flight meal.

A rather comically tight, taut air traffic controller named Bishop is first on the scene. But it’s not too long before The Strain takes flight with its first look at Ephraim Goodweather (Corey Stahl), head of the Centers for Disease Control’s Canary Project.

Affixed with a thick, dark toupee, Stoll is almost unrecognizable from the tragic congressman he played to perfection in Season 1 of Netflix’s House of Cards. But his acting quickly shines through, initially in a marriage counseling session with his estranged wife, Kelly (Natalie Brown). “You’re not horrible,” she tells him. “You’re just barely present.”

That’s because “Eph” is wedded to his job, which is soon to be ultra-eventful. Rushing to JFK Airport, he first demands his carton of milk and then gets off a snappy line: “You don’t like terrorists? Try negotiating with a virus.”

Joining Eph is CDC colleague Nora Martinez (the melodically named Mia Maestro), who’s had a brief affair with him. Together they inspect the plane and note the pungent scent of ammonia amid all the peaceful-looking, seemingly dead passengers.

Back in the city, elderly pawn shop owner Abraham Setrakian (David Bradley from the Harry Potter films) knows more than a little about what’s just transpired. But first he must deal very sternly with a punk petty thief. Only then can Abraham say to himself, “He’s back. I don’t know if I have the strength to do it all over again. This time I cannot fail.” His helpmate is a very imposing sword that’s already been steeled in battle.

Abraham’s arch foe -- then and now again -- is the suitably sinister Thomas Eichorst (Richard Sammel). They first met during Abraham’s incarceration in a Nazi death camp. Eichorst has aged little since then -- and there’s a reason for that. The two old adversaries have a terrifically acted face-off in Episode 2. And at the beginning of the next hour, you’ll see Eichorst for what he really is.

Another bad guy, wealthy Stoneheart Group owner Eldritch Palmer (Jonathan Hyde), is also in bad health but looking for eternal life. He’s presumably calling the shots, with Eichorst and others bowing to his wishes. But of course he isn’t -- and of course they aren’t.

Piecing together clues and gathering increasingly gag-worthy specimens, Stoll’s dogged Eph also clashes with superiors who think he’s gone more than a little crazy. One of them is a guy who looks an awful lot like Joe Torre. Not him, though.

Meanwhile, Eph’s CDC colleague, Jim Kent (Sean Astin), proves himself to be less than trustworthy while some passengers from Flight 753 increasingly become less human through no fault of their own. It’s a terrible mess -- as are some of the deaths.

The Strain gets over its early case of the jitters and settles in to instead inflict them on viewers. By the end of Episode 4, subtitled “It’s Not For Everyone,” the series is earning its mettle as a truly macabre, chilling and rousing war of attrition in which the winner will either take all or stop hell on earth in its bloody tracks.

“I look out on this island, and I savor what is to come. Purity,” sayeth the demonic Eichorst near the close of Episode 1.

A milk-drinking CDC epidemiologist and a blade-wielding old pawn shop proprietor stand in his way. Sounds about right.

GRADE: A-minus

Email comments or questions to: unclebarky@verizon.net